Oceanside Harbor
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- Ancient Marks: The Sacred Origins of Tattoos and Body Marking
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- Past Exhibitions 2009
- Brian Goeltzenleuchter: Institutional Wellbeing: An Olfactory Plan for Oceanside Museum of Art
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- Allison Renshaw: Plastic Fantastic
- Defying Expectations: Contemporary Native American Art from San Diego County
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- Painting the Iraq and Afghanistan Wars: Camp Pendleton Youth Art Exhibition
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- Adam John Manley: Mapping the Pools of Del Cerro
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- Contemporary Art Wins a Beachhead: The La Jolla School of Arts, 1960-1964
- Cruisin’ Califas: The Art of Lowriding
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- Geoffrey Cunningham: Penumbra: An Ode to Oceanside in a Time of War
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- Signs and Symbols: African American Quilts From the Collection of Dr Maude Southwell Wahlman
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- Charles Arnoldi: Intersections
- Contemporary Landscape Photography: An International Perspective
- Ernest Silva: Volcanos and Full Moons
- Herb Turner Realist/Idealist
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- Outside: Selections from the Doug Simay Collection
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- Stephen Curry: Scape / Escape
- Synesthesia: Manifestations of Energy, Paintings by Ellen Salk and Sound by Christopher Adler
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- California Dreaming: An International Portrait of Southern California
- Jean Wells: Icons of Desire
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- Neil Shigley: Invisible People
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- 100 Artists, 100 Years: The San Diego Museum of Art Artists Guild, 1915-2015
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- Art Transports Us Out of Bounds: Prison Arts in San Diego
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- Baby Tattoo: Carnival of Astounding Art
- BB Bastidas: Altering Altars
- Bhavna Mehta: GUSH
- David Fobes: PEER
- In the Abstract: Mid-Century San Diego Painting and Sculpture
- Ruth Jameson: Emergence, Imagination Upwelling
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- Some Assembly Required: A Re-Collection of Community
- Past Exhibitions 2016
- Alexia Markarian: Desire is Never Enough
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- Bill Rastetter: Street Art Reinterpreted
- California Fibers: Eclectic Threads
- Dan McCleary: Etchings and Studies: Taller De Grabado, Oaxaca 2000-2016
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- Love Letters in Metal: Jewelry By Svetozar and Ruth Radakovich
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