This exhibition consists of works selected from two related projects developed by San Diego-based visual artist John Halaka. The drawings reflect on experiences of forced displacement and indigenous survival.
Many of the drawings are directly informed by stories the artist recorded with Palestinian men and women who have been exiled from their homes and homeland. Other drawings honor the work of Native American, African American, and Palestinian activists, scholars, and artists. A related group of images also acknowledge the critical, yet mostly unrecognized, work of indigenous and migrant farmers and laborers.
A variety of creative graphic strategies are utilized by the artist to construct his visual allegories. In the images selected for the exhibition, Halaka overlays drawings on top of photographs to underscore the emotional presence and physical absence of the subjects; he defines forms with layers of rubber-stamped words and ink to create imposing yet unstable figures and landscapes; he draws portraits of survivors on commercially produced maps to suggest the resurgence of erased cultures and suppressed histories; and he develops spectral portraits of refugees with burning tools on wood substrates. The images are dense due to their layered clusters of carefully arranged marks, yet are simultaneously delicate, fluid, and fugacious due to the subtlety of their tones and the fragmented and restless arrangement of the drawn marks.
This exhibition presents personal accounts of trauma and violence which viewers may find distressing.
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