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OMA Home > Exhibits > Worn With Pride > Tuiga (Ceremonial Headdress)


Tuiga (Ceremonial Headdress)

Tuiga (Ceremonial Headdress): Ornaments worn on the head visually distinguish the elevated status of the wearer during Samoan ceremonial events, and the most ornate of these ornaments is the tuiga. In terms of composition, a traditional tuiga headdress is an amazingly complex artistic creation generally made up of five elements. These traditional elements are a base created from bark cloth (laulau), ringlets of bleached human hair (lauulu), a forehead band of nautilus shell attached to bark cloth (pale fuiono), an upright framework of coconut leaf ribs (lave), and red feather ornamentation ('ie 'ula). Artistic innovation has transformed some of these elements on more contemporary tuiga. In terms of structure, while earlier tuiga had three sticks rising vertically, today up to six are used. In addition, many of the five individual components are now fashioned into a singular unit. Materials have also changed. Today, rare red feathers obtained from Fijian parrots are now substituted with chicken feathers dyed a multitude of colors, and Tongan nautilus shell, also a rare commodity prized for its beautiful bluish pearl-like luster, is often replaced with shells having a similar sheen, buttons, or other small shiny embellishments. In addition, human hair is no longer an essential element, and small round mirrors have become a consistent ornament on the vertical framework.

Depending on the situation, the tuiga headdress can be worn by either a taupou or a manaia, although today these restrictions have been loosened, especially in the diaspora. A manaia, a titled young man who is often the son of a village chief, has the honor of wearing the tuiga on many ceremonial occasions. In the remembered past, other important male members of a family were also able to wear the tuiga, especially during critical times, such as war. The tuiga is also worn by a taupou, a chaste titled girl whose position is linked to an individual village and whose presence dignifies, beautifies and signals the importance of any event. In the diaspora, however, where the traditional village does not exist, a graceful young woman from an important family (not necessarily a taupou) may be given the honor of wearing the tuiga at ceremonial and festive events. The young woman wearing a tuiga should embody certain qualities of feminine beauty and must gracefully dance with the cumbersome headdress and prove her skill at refined ritual movement when making the ceremonial drink 'ava. Young women wearing the tuiga also wear a variety of beautiful costumes that often include wrapped fine mats ('ie toga) and decorated bark cloth (siapo) dresses or skirts. Contemporary costumes also contain a variety of new materials, illustrating the rich innovations that continue to redefine Samoan "traditional" dress in both Samoa and the diaspora.

"Worn with Pride: Celebrating Samoan Artistic Heritage" was curated by Teri Sowell, Ph.D.


Learn More:
-Historical Background
-Worn With Pride: The Art of Dressing The Body
-Tatau (Tatoo)
-Contemporary Innovations in Tatoo
-Saipo (Bark Cloth)
-'Ie Toga (Fine Mats)
-Aesthetics
-Conclusion



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